SLEEPAWAY CAMP IV “Dyer's Eve” Written By: Robert Mussatti 3rd Draft Revisions 02/21/03 ----------------------------------------------------------------- FADE UP: EXT. A NEIGHBOR HOOD, OHIO - MIDDAY AFTERNOON Empty except for a few CHILDREN PLAYING ON SIDEWALK and CAR driving by. COME UP ON A TWO STORY COLONIAL LIKE HOUSE. INT. LIVING ROOM - CONTINUOUS THE CAMERA ANGLES UP AND OVER THE COUCH to the face of TONY, watching the news while drinking tea. Tony, who hasn’t been seen in months, wears a red and black T-shirt with a dragon running down to middle and hair in a pony-tail behind his head and is also wearing sweat pants. He’s living with Marsha ever since she divorced her boyfriend for constantly beating her. SFX: THE SOUND OF THE TELEVISION AS ANCHORWOMAN ON NEWS READS THE TOP STORY AS IT COMES IN. Tony turns the volume up as the woman reads the headline, then gets up to refill his cup of coffee which he has finished. ANCHORWOMAN ON NEWS This just in. We have received word from local authorities That they have found an ambulance on the outskirts of town with One paramedic and an officer brutally murdered. Tony becomes interested and watches as she pours her coffee. With his back to the camera he takes a sip of coffee as THE CAMERA ZOOMS IN ON t.v screen. ANCHORWOMAN ON NEWS The ambulance was found at approximately 12:23 pm today outside The town of Bremen, Georgia near Camp New Horizons. We are now Being told that this was the ambulance that was supposedly being used To transport the serial killer Angela Baker to the local hospital. From hearing that, Tony nearly drops her cup and covers his mouth in shock. During the following dialogue, Tony walks back into living room and sits on the couch focusing in on the screen. ANCHORWOMAN ON NEWS There is reason to believe that while being transported, Angela murdered The officer and paramedic then escaped after injuring the driver. The ambulance Has been missing for 2 days and local and state officials are on a state-wide manhunt For her. Angela baker, also known as the angel of death, was responsible for a String of murders at Camp New Horizons where she brutally slaughtered 18 people And before that, Camp New Horizons was formally Camp Rolling Hills where last year murdered 19 people and was responsible for another string of grisly murders 7 years ago at nearby Camp Arawak which has been closed and demolished. CAMERA CLOSES IN on Tony’s face while he is still holding his mouth in fright. TONY ( in a frightened voice) Oh shit! CUT TO: TELEVISION ANCHORWOMAN ON NEWS A police sketch artist has put together a composited sketch of the killer based on eye witnesses. (Shows sketch of Angela) If anyone has seen this person please call the local authorities at once! She is said to be armed and extremely dangerous. SCREEN BLACK FADE UP: TITLES AND CREDITS CUT TO: EXT. COUNTRY ROAD NEAR A WOODED AREA. In the b.g we see a person walking along the side of the road on the left-hand side. It is near 1 or 2:00 PM. As the person keeps walking we see it is the figure of a woman. The CAMERA ZOOMS IN AT HER FACE and we see it is none other than Angela Baker. She is still wearing the BLOODY SWEATSHIRT and is bandaged up. After the escape from the ambulance, she checked herself into a hospital and got help but before the doctors could call the police, she took off She looks tired and worn out from her ordeal with the paramedic and the officer and Marsha. We see she is whistling the happy campers song then sings the Angela rap. In the B.G, a car comes up from down the road. Angela, hearing the car, turns and waves at it as the car gets closer trying to get it to slow down. CUT TO: INT. CAR DRIVING ALONG ROAD. The CAMERA ANGLES UP on drivers face and we see the driver. He is 34- year old Steven Richards. He is driving to New York to have some time off and enjoy his vacation and he is also a detective. CUT TO: STEVEN’S P.O.V He looks outward keeping eye for his turnoff when he sees someone on the side of the road waving him down. He decides to be a good person and pulls over up ahead to pick her up not knowing that she is Angela Baker. He looks over and watches as she get’s into the passenger seat. ANGELA (In a pleasent voice) Thanks. I didn’t think anyone would stop. STEVEN Where ya headed to, anyway’s? ANGELA Well, Where are you going? STEVEN New York. ANGELA That sounds nice. You can take me there. As the car drives off, the CAMERA STAYS at the point from which the car stopped and stays there for the next line. STEVEN So, how did you get here? NEW ANGLE AT WINDSHIELD showing both faces. ANGELA It’s a long story. STEVEN (Looking down at sweatshirt) What happened to you? Are you alright? ANGELA Oh, I’m alright. Just a little altercation with a bear. He roughed me up a bit but I was able to fix myself up. SFX: as STEVEN thinks ok, he reaches over and turns on the radio where a man reports the latest headline. MAN ON RADIO At the top of the hour, police are still on the look out for the escaped serial killer Angela baker who vanished after she was being transported to St. Lukes general hospital after being stabbed 7 times in the abdomen and on the way, murdered a police officer and a paramedic. The drivers condition has yet to be determined. If anyone has information on the were about’s of Angela bak... ANGELA quickly turns off the radio in fear that STEVEN will know who she is. STEVEN ( in shock at angela’s actions and a little mad) Why did you do that? You could’ve asked me to shut it off. ANGELA Sorry, I guess I panicked. I never really liked the news. All they do is talk lies. CUT TO: INT. OF CAR. Steven, still concentrating on the road ahead, is confused that his turn didn’t come and is worried that he may have missed it. He pulls over and pulls out a map while ANGELA LOOKS out the window with the CAMERA BEHIND HER FOCUSING in on an old campsite with orange barricade surrounding it and carpentry equipment in it’s interior. We then see flashbacks of her days at Camp New Horizons, killing the campers and the battle with Marsha and her stabbing Angela. CUT TO: EXT. OF CAR Steven is still looking at the map as the CAMERA FOCUSES IN on the car thru the WINDSHIELD. Angela is still looking out the window then turns to steven. ANGELA Hey, what camp is that over there? Steven, still fiddeling around with the map, puts it down and looks at Angela. STEVEN That’s Camp New Horizons. There remodeling it and putting up a new camp. ANGELA Is that where those murder’s took place? STEVEN That is exactly why they’re remodeling it. No one wants to go to that camp anymore so the are going to give it a make over and give it a new name. No one want’s to remember that that was either Camp New Horizons or Camp Rolling Hills. Steven returns to the map and realizing that the turn isn’t for another mile and a half, he breath’s a sigh of relief and continues on his way. CUT TO: EXT. CAMP NEW HORIZONS- DAY The CAMERA FOCUSES ON THE BACK of the camp where we see two people walk into the camp. They are none other than our two survivors of the massacre at the camp: Marsha and Tony. The CAMERA ZOOMS IN SLOWLY on them while they talk. The voices get louder as the CAMERA KEEPS ZOOMING. TONY I really didn’t want to come here. MARSHA Look, this is the only way left I’ve tried everything else and this is sure to work. TONY Listen, coming back here isn’t going to stop the nightmares. There has to be some other way. MARSHA No there isn’t besides, Angela is dead. She’s dead and that’s all there is too it. TONY Well, didn’t you here? MARSHA Here, what? TONY The ambulance that was taking Angela to the hospital was found today with an officer and a paramedic dead. MARSHA So? TONY Marsha, when they examined the ambulance, Angela was gone. They believe she is somewhere out here and are on a state-wide manhunt for her. That means she’s still alive. Marsha turns around and away from Tony in shock. She stands there with her head buried in her hands and can’t believe it. Tony comes up and hug’s her in comfort. MARSHA It’s not possible! She can’t be alive. I killed her and we both saw here stop breathing. And... and... She fall’s to the ground crying her eyes out while Tony gets down on his knees comforting her as he looks into the camera. TONY I promise that if I ever find her, I will kill her and end this nightmare forever. I promise MARSHA You promise? Really? TONY I promise. SCREEN BLACK FADE UP: EXT.- CAR WITH STEVEN AND ANGELA Camera follow’s behind car as it heads for the state line. As the CAMERA MOVES UP ALONGSIDE RIGHT CAR DOOR, we see local and county police lined up along the border stopping cars and asking for I. D NEW ANGLE Angela frantically looks for something to cover her face and body with. Then decides to put her sweatshirt on backwards and put on her sunglasses. They pull up to the stop with THE CAMERA FOCUSING OUT THE DRIVER WINDOW. OFFICER I. D please. Both get out there I. D’s and hand them to the officer. Angela still has Maria Nicastro’s I. D but with her picture and her birthday. OFFICER Coming from... STEVEN Florida OFFICER Going to... STEVEN New York. It is still safe to drive along the roads, right? OFFICER Yes sir. But keep your eye out for Angela baker. Stick to the main roads and no matter what, don’t pick up anyone. Especially, any women. Got it? STEVEN Yes sir. I got it. Have a nice day. As the car pulls away, Steven can’t help but think why she acted so nervous before the stop. STEVEN Excuse me but what is your name? ANGELA (With hesitation) Maria Nicastro. NEW ANGLE As Steven turns his head away slowly, he starts to get a little suspicious of this Maria character and her Actions as of lately. But thinks it’s nothing and keeps on driving. CUT TO: BORDER OFFICERS OFFICER 1 Ya know that car I just stopped? OFFICER 2 What about it? OFFICER 1 It looked kinda suspicious and that woman there seemed very nervous OFFICER 2 Don’t worry about it and keep looking for Angela. OFFICER 1 Well, I got her I.D and she said she was Maria Nicastro and she looks like the sketch. I’m gonna do a background check on her. OFFICER 2 You do that. FADE OUT TO BLACK SCREEN FADE IN: EXT. CAMP FORREST GREEN(formally camp new horizons/camp rolling hills) It has been one year since Steven picked up Angela and transported her to safety. The camp has been Rebuilt. There are new cabins, a new pool, new rec center and dining hall, and even put up some Playground equipment. Angela has driven back to Georgia and has taken a job as a counsler at the Camp and has been there for one week . As the CAMERA ANGLES OVER THE CAMP, we can se some campers swimming, some on the Playground equipment ans some just shootin the breeze. In the far right corner we see Angela and the new head counseler Robert Mussatti walking along the dirt path too the rec center as the CAMERA COMES DOWN ON THEM. ROBERT Why did you decide to become a counseler? ANGELA Well, I’ve always loved working with kids and going to camp. Even when I was a Camper, I loved it. I didn’t like being teased and taunted all the time but overtime I found A way to cope with it and it worked out better than I expected. ROBERT And what way might that be? ANGELA I didn’t let them get on my nerves and become a thorn in my side and so I handled the Problem immediately and it was solved. ROBERT Sounds like a good plan. (Looks at watch). Oh geez look what time it is. (Blows whistle to get everyone’s attention). Ok everyone. It’s time for lunch. Go to the dining hall. Lets go! Angela looks to see that everyone has made it to the dining hall but sees that two people are missing. ANGELA Where are Amanda and Leslie? ROBERT (Pointing towards the left side of the woods) They went that way. I don’t know where in the woods exactly though. ANGELA Don’t worry. I’ll find them As Angela takes off into the woods, the owner of the camp, Eric Borkowski, comes walking Towards Robert 15 minutes later ERIC Where did Maria go? Angela still goes under the name of Maria Nicastro and even though Robert has known about Angela for years, he dosen’t know yet that Maria is actually Angela Baker. ROBERT Over there to look for Amanda and Leslie. ERIC When she comes back, tell her to hurry and get to the dining hall. Lunch is almost Over. ROBERT I will do that. CUT TO: WOODS- MIDDAY AND SUNNY CAMERA ANGLES AND FOLLOW’S Angela’s FEET as she walks thru the woods for a few seconds. CUT TO: ANGELA’S P.O.V She slowly walks ahead as voices are becoming louder and more clearer. NEW ANGLE She sees them and slowly and skillfully creeps up behind them and finds them about to snort heroin. ANGELA What are you girls doing out here? They here her and immediately stand up dropping the glass mirror and the heroin on it. LESLIE We were just trying on make-up, I swear. ANGELA Way out here in the woods? AMANDA It was too bright there and we didn’t want anyone to see us yet. ANGELA (In a little stern tone of voice) Just get back to the dining hall. Everyone is looking for you two. And don’t let me catch Either of you out here again. As they walk back, Angela bends down and inspects the mirror. She picks up the powder, sniffs it and sees it is heroin. She gives them a mean look as she gets up and walks back to camp. CUT TO: CAMPGROUNDS- MIDDAY As Angela leaves the wood after finding Leslie and Amanda, she is still a little steamed but has calmed Down and is making her way to the dining hall with the CAMERA FOLLOWING HER. Then Robert Comes up to her. ROBERT Where were they? ANGELA In the woods. I think they were doing drugs. ROBERT What makes you say that? ANGELA Here! Angela hands him the glass with some powder still left on it ROBERT (Picks off some powder and taste’s it) My god, this is heroin. Ok, I’ll talk to them. Lets just get to the hall Before all the food’s gone and if they do this again, you can send them home. ANGELA (In a cheerful voice) Ok. CUT TO: INT. DINING HALL - MIDDAY Everyone is sitting, talking and eating as the CAMERA PANS OVER THE HALL. We see Robert and “maria” going over to the counslers table while Leslie and Amanda go to a separate Table. INT. DINING HALL - MIDDAY CAMERA ANGLES ON COUNSELERS TABLE Robert and Angela grab there food and head towards the table and then sit while the CAMERA ANGLES ON THE PEOPLE who talk. ERIC Well, what happened? ROBERT As Maria puts it, they were doing drugs in the woods. MARIA And they were too. I caught them in the act and I found this. Angela shows the mirror to Eric and as he examines it, the other counselers at the table look at it too ROBERT Evidently, they were and I sad that I would personally have a talk with them About this and I told Maria that if she finds them doing this again, she can Send them home. ERIC Enough of this, lets eat! CUT TO: LESLIE’S TABLE Both sitting acting pissed off at what Maria did. CAMERA FOCUSING ON ENTIRE TABLE LESLIE I can’t believe we got caught. AMANDA Where does that dyke get off doing that? BECKY She’s not that bad. PHOEBE Oh come on. She does seem a little fucked in the head AMANDA Well, we’ll try again later and she’d better not find us or else . JESSICA Or else what? LESLIE You’ll find out later. CUT TO: EXT. NEAR BASKETBALL COURT- AFTERNOON CAMERA ANGLES ON ANGELA as she is reading over a list of activities to the campers. ANGELA Ok, those who are going to the rec center lets go. Anyone else who wants to go Swimming, the pool is open and you can also play basketball but I don’t want to see Anyone wandering around with nothing to do. ROBERT Have you seen Amanda or Leslie anywhere? ANGELA No. why? ROBERT Well, after lunch, I wanted to talk to them about earlier today and they just took off. ANGELA Don’t worry, I’ll handle it. Go tend to the swimmers and I’ll find them CUT TO: WOODED AREA BEHIND THE CAMP- AFTERNOON CAMERA FOCUSES on Leslie and Amanda as they walk thru the woods. As they are walking, they don’t realize that Angela is close behind them. AMANDA Do we have to do this now? LESLIE (Getting annoyed) YES! I want to get it done now before that bitch Maria finds out where we are. If you want to go back, than go! CUT TO: ANGELA’S P.O.V Seeing that Amanda has stopped, walks faster and then when she turns around, Angela grabs her by the mouth and drags her back. Leslie hears a sound, turns around and sees that Amanda is gone. LESLIE I guess she went back. What a wuss CUT TO: ANGELA DRAGGING AMANDA THRU WOODS. We see that while Angela is dragging her, she is kicking and screaming then picks up her trusty branch. CUT TO AMANDA’S P.O.V The stick is raised and hits her in the head. BLACK OUT CUT TO: LESLIE Realizing she heard something, turns around and heads back. The CAMERA ANGLES UP BEHIND Her and follows her. She looks left and right trying to find out what she heard. NEW ANGLE She turns around and walks backwards and when she does, she bumps into something. When she does she turns around and screams in horror as we see Amanda, tied to the tree by her neck, and a needle has been shoved up her nose and into her brain with blood inside the needle and flowing out her mouth and ear. Fearing for her life, she runs back in the woods where she ends up inside a small clearing. CUT TO: CLEARING WITH FAR ANGLE SHOT As the CAMERA STAYS A DISTANCE AWAY, we can see Angela coming up behind her. She hit’s Leslie 3 times in the back and falls to the ground. She turns and looks at Angela in horror. LESLIE Please don’t. I’ll never do this again. ANGELA Like I’ve said before. Say no to drugs. Then the CAMERA gets A CLOSEUP shot of Angela holding the broken mirror used by them. Leslie, trying to crawl away, has no chance Angela takes the piece of glass and dives it into her throat A spurt of blood hits Angela in the face Angela has a disgusted look on her face. FADE OUT BLACK SCREEN EXT. CAMP FORREST GREEN- LATE AFTERNOON OVERHEAD SHOT OF POOL AREA SHOT OF ANGELA Looking for Robert to talk to him. She walks along the pool to get to him. ROBERT So? What happened? ANGELA I had to send them home. ROBERT Well you did what you had to do, what did her parent’s say? ANGELA What could they say, ya know? ROBERT Well, I’d better get back. You take care of yourself. INT. BOY’S CABIN- LATE AFTERNOON As the CAMERA FOLLOW’S Robert, he hears somthing inside the sleeping quarters He turns to find two boys, Mark and Jason, shoving a small boy into a sleeping bag and closing the top. NEW ANGLE- ON BED NEXT TO BOYS Robert runs in to break up the charade. ROBERT HEY! HEY! HEY! WHAT THE HELL ARE YOU TWO DOING! Mark He wont give me back my wallet. ROBERT That’s no reason to tie up a kid inside a sleeping bag! ANGLE SHOT of Angela entering the cabin ROBERT Now get him outa there! As the boys get the kid out, Angela comes up to ask what’s going on. ROBERT These boys shoved this boy into a sleeping bag and tied up the top ANGELA Eric is gonna here about this. You both are in big trouble! ROBERT Give Mark his wallet back. (To boy in sleeping bag) ROBERT Now, there’ll be no canteen for the both of you for a whole week If I EVER see somthing like this again, I’ll throw both of you outa here! Both Angela and Robert walk the boy out while in the b.g. both boys flip both of them off. EXT.- BOYS CABIN- LATE EVENING/NIGHT CAMERA ANGLE of everyone heading to dinner. ENT.-DINING HALL-NIGHTTIME We see campers collecting there dinners and sitting at the tables. MARK Why do we have to get busted? We did nothing wrong PETER What did you two do? JASON well, this kid took my wallet and tried to make a run for the door but We grabbed him and thru him in there to teach him a lesson. MARK And we would have made him think twice but that fucker and his bitch Showed up to ruin it. BECKY Stop badmouthing them. They’re great counselers and you should Treat them with respect! JASON Oh shut the fuck up! MARK Yeah! If you like them so much, then go sit Over there with them. FADE OUT. EXT. CAMP FORREST GREEN.- MORNING We see Angela leave her room while everyone else in the girls cabin is asleep. There are only 6 girls left as the CAMERA stays on Angela’s face till she’s at the other end. ANGELA (Blows whistle) Wake up everyone. Breakfast in half an hour. Angela walks over to Becky who still seems distraught over what they said about her and tries to comfort her ANGELA You still mad about what they said about you? BECKY Yeah.(in a quiet voice). What if they do this again? What should I do? ANGELA Oh don’t worry about them. Just think about what Were gonna do today. I’ll handle it. INT. DINING HALL- MORNING While everyone is eating, the CAMERA STAYS at the BACK, filming the podium and the kids in front. Eric then gets up and goes to the podium to make an announcement. ERIC Good morning, campers! EVERYONE IN HALL Good morning, Eric. ERIC I would like to make an announcement. Today after breakfast, we will all be getting Together in front of the main road and we will be splitting up into two groups and will Be going out in the woods to learn the fine art of archery. Then after and hour, we will be going on a mile hike to learn how to shoot a rifle! CAMERA PANS AROUND ROOM to capture all of the campers Expressions and they seem happy and excited. ERIC As soon as we are done with that, we will all be going to a special clearing about 1/3rd of a mile away to cook and eat lunch. Then after about an hour and a half, we will all head back to take some time to wind down and do whatever. EXT. CAMP FORREST GREEN- AFTER BREAKFAST- MORNING CAMERA ANGLES UP AND OUTWARD as the kids line up and wait at the main road Robert and Angela make it to the front to read the instructions. ROBERT Ok. Now before we get going, we need everyone to raise their hands to see if everyone is here. (Pans area.) Ok looks like everyone.... Wait! Where’s Jason? BECKY I saw him go to his cabin along with Jessica earlier. They must still be there. ANGELA You stay here and keep an eye on them. I’ll handle it. As she walks to the bunk, THE CAMERA FOCUSES ON THE right window as we hear moaning and bed moving. Angela comes sneaking in from the left under the window, and peeks in it to find Jason and Jessica fornicating. As Angela watches, she gets more enraged. When Jason leaves to go to the bathroom is when Angela makes her move. She slowly opens the door and walks in, trying not to disturb her. We see Angela walk over to the bedside. She takes one of the nearby pillows and puts it over Jessica’s head as she begins to wake up. When she does, Jessica lets out a scream that is muffled by the pillow and as she does, Angela pulls out a very large hunting knife and plunges it into her abdomen killing her instantly. Angela then puts her under the bed as Jason returns from the bathroom. JASON What the fuck are you doing here! ANGELA Everyone is waiting for you outside. Now lets go, NOW! As they both walk out of the cabin, the CAMERA ZOOMS in on the spot IN BETWEEN the two BEDS as blood begins to creep it’s way out from under the bed. CUT TO: TRAIL NEAR MAIN CAMP- MORNING We see Jason and Angela along a trail in the wood. Angela has decided that Jason has done enough and she is going to “send him home.” JASON How much farther is it? ANGELA It’s just up ahead. You go on while I go and get the supplies. As Angela goes off in another direction, the CAMERA stays on JASON as he walks to what appears to be a target. As he gets right in front of it, he is caught in a snare trap and is now swinging wildly in the air. As he is swinging, he spots Angela coming out of the woods behind her carrying a bow, and a package of arrows on her back. JASON Hey! Get me the hell down from here NOW! Did you hear me damn’t?! With that said, Angela takes out an arrow, puts it on her bow, takes aim, and fires at his head. That one misses, veering to the right so she pulls out another, takes aim and fires. That one is closer but still misses. As Jason screams for help and begs that she not kill her and to get him down, Angela pulls out one more arrow, takes aim and fires. The arrow flies thru the air with tremendous speed and right when Jason gets a horrified expression on his face, the arrow plunges into his eye with such force, it goes thru his head and anchors him to the target. ANGELA Bulls-eye! She then goes in to inspect the carnage she has made. As the CAMERA FOCUSES in on the corpse, The target is covered with blood and brains that trickle down the target from the back of his head. When she is done, she heads back to the main road to catch up with everyone else. EXT. ARCHERY RANGE- AFTERNOON. We see the campers shooting arrows and the other counselers helping those who are having trouble. Some are good shots and some need some work. Robert is at the middle helping a camper with his handling when Angela shows up outa nowhere and spoofs him. ROBERT You scared the shit outa me. ANGELA Sorry. It’s an old habit. ROBERT Where have you been? You took so long we had to leave without you. Where’s Jason and Jessica? ANGELA I don’t know. When I was sending them here, they both took off. ROBERT Oh, Maria. Why did you let them out of your sight? Those two have been known to cause trouble whenever they have the opportunity. I’ll try and find them later. They can’t be far. Now, those kids on the end need some help so go tend to them while I handle this batch. ANGELA Ok. As Angela walks off, Eric comes up to Robert and seems confused. ERIC This may be just me talking, but I think something is up with Maria. ROBERT Like how? ERIC Well, to me it seems that she isn’t playing with a full deck. By the way she’s been acting lately, there’s something that she’s not telling us. ROBERT Jesus Christ Eric, you do this all the time! Now knock it off and quit giving her a hard time. There is nothing wrong with her. You’re the one who has the problem! ERIC Ok! Ok! I promise I wont do this again and if I do you can burn me at the steak. ROBERT Deal! As they walk off, we see that Angela has been listening in and has thought about what he said about her and what will happen to him if he does it again. ANGELA (Under her breath) Well I think that can be arranged. After an hour or so the CAMERA pans up on the site. ROBERT Ok everyone. Pack up and head to the firing range. FADE OUT EXT. FIRING RANGE- MIDDAY We find the campers out on the edge of a cliff shooting bolt-action rifles at targets and balloons 30 to 50 feet away. Some are catching on quickly while the ones that need help are being tended too ROBERT Ok, now you gotta remember: keep both eyes open, hold your breath, keep the safety on and keep your finger off the trigger until you are ready to fire. And hold it good and tight to your shoulder or you could injure your collar bone. ( the boy fires). Good. Now remember to do those things and you will have no problems. ANGELA (As she is helping another girl) Here. Let me show you how. (As she fires, it hits less than half an inch from the target) GIRL Where did you learn to shoot like that? ANGELA I had very good help from someone special. GIRL Do remember who he is? ANGELA Not at the moment. GIRL Well, Thanks for helping me out Maria. ANGELA No problem. Anytime. ANGELA If anyone needs any help, let me know. And be careful of the ledges, I don’t want anyone falling off. At that moment, we see two boys fighting over who’s turn it is and results in a tug of war with the rifle. ERIC Hey you two, stop it! Stop it right now! (Takes rifle away) these things aren’t toys! What were you two thinking?! You’re bound to kill someone. BOY 1 But he wont let me go and he’s been using that forever. BOY 2 That’s bull shit and you know it. ERIC Hey watch your mouth! Now, I don’t want to see this again. You both will each get to fire it 4 and ONLY 4 times. You got that?! BOTH BOY 1 AND 2 We got it. ROBERT Is everything ok over there? ERIC Everything’s fine. Now, we got 20 more minutes left until we eat. Can you two handle sharing it nicely? Cause if you can’t, I’m gonna have to send the both of you back to the main camp. BOY 1 (To boy 2) Nice goin ass hole! ERIC Hey! One of these days that mouth of your’s is Gonna get you into trouble! Now knock it off. As Eric walks off, we see Angela walking and keeping an eye on the kids when she looks over the ledge and Angela has flashbacks of molly falling off the edge of the ledge and when Angela says poor molly, she comes out of it by Robert ANGELA You scared me! ROBERT Who’s molly? ANGELA Who? ROBERT You just looked down and said poor molly. Who is she? ANGELA She was this girl I used to know. ROBERT Are you alright? You’re looking a little pale. ANGELA I’m fine. Really. ROBERT Are you sure? Cause I could take you back to the main camp and have the... ANGELA I’m fine! Just forget about it, ok?! ROBERT Alright! Geez. ERIC (Blows whistle) Ok everyone, it’s time to eat. Put the guns down and meet up by the main road in your same groups. ROBERT Look Angela, I’m sorry about giving you a hard time. ANGELA Ir’s ok. You aren’t the first person to do this. So I forgive you. THE CAMERA FALLS on an open CLEARING with a fire pit with a grill on top and some logs surrounding it. The campers and counselers come in and the counslers immediately begin cutting firewood. ERIC Where’d you learn to chop wood like that? ANGELA I’ve never chopped wood before, but I’ve chopped other things. ERIC Well, put the wood in the fire pit. Robert, help me get out the burgers, buns and everything else outa the cooler. When they go and do that, THE CAMERA focuses in on the two BOYS who were fighting over the rifle and are now arguing over who gets to chop the wood. As one argues, the other pulls the ax and threatins to kill him if he doesn’t let him chop. ERIC Now, what did I tell you about this?! I’m sorry, but your going to have to go back to the main camp. BOY 1 But.. ERIC It’s too late for apoligies now. Angela, would you take these two back to the camp, they have some thinking to do and this one needs to clean out his filthy mouth. BOY 2 This is complete bull shit! ERIC Watch your mouth! ANGELA Don’t worry, I’ll be sure this one takes care of his filthy mouth. CUT TO: ANGELA WALKING THE BOYS INTO CAMP As they walk in, she is secretly planning how to kill them ANGELA (To boy 1) You stay at your bunk while I have a talk with this one. As boy 1 heads for his cabin, Angela takes boy 2 and heads for the rec room. As they enter, Angela motions to boy 2 to sit in a seat. ANGELA Sit here and I’ll be right back. BOY 2 Where the hell is that bitch? He then turns and thinks he heard somthing. He stands up and looks over to find Angela standing there with an air powered nail gun. She fires and puts one nail in his hand nailing him to the wall. She fires again and anchors him in his other hand. ANGELA Eric wanted me to wash your filthy mouth out and that’s what I’m gonna do BOY 2 Get me down from here! I promise I wont swear again! Please don’t hurt me! ANGELA It’s too late for that. Now hold still and it will all be over quickly. With that said, she opens the boy’s moth and, using the acid from part 2, proceeds to pour it in his mouth and make him drink it. When he does, he begins to barf up parts of his stomach and insides along with his mouth while his mouth melts away with blood dripping down to the floor and within a few seconds, he is dead nailed to the wall. CUT TO: CABIN WITH BOY 1 IN. He hears the screams and cries of his friend and goes out to investigate. When he enters the rec hall, he surveys the area with no sign of his friend. BOY 1 Josh? Maria? Are you here? After saying that, he hears a low grumble, turns around and sees his friend, nailed to the wall, his lower jaw melted off and a hole in his abdomen with a puddle of blood under it. When he screams, Angela comes out from behind him with ax in hand. And before he can scream, she raises the ax and with a loud thud, plants it deep in his forehead. With that, the boy flies back and lands on a table, breaking it in half. She then goes over to the boy where THE CAMERA SLOWLY pans up on the boys mangled corpse. When it gets to the face, Angela pulls the ax out of his head and leaves him there as the camera FOCUSES LOW as Angela walks out of the hall with the ax. CUT TO: CLEARING WITH CAMPERS- AFTERNOON THE CAMERA STAYS at an angle as Angela walks back to the clearing with the ax now clean. ROBERT So you took the ax. ANGELA Yeah, it needed to be sharpened so I took the liberty of doing that for you. ROBERT It didn’t need to be sharpened, Eric sharpened it just Yesterday. ANGELA It did look a little dull, though. ROBERT Anyway, is Anthony coming? ANGELA He’s back at the main camp. He’s got a headache. ROBERT Oh well, what can ya do? ERIC Robert, help me get the food ready and Maria, could you take the kids over to the lake to catch some fish with them? ANGELA Ok. CUT TO : LAKE WITH KIDS ON PIER- AFTERNOON While Robert and Eric are busy at the clearing, Angela is helping the kids to fish while she herself is fishing along with them. CAMERA FOCUSES in on ANGELA and KIDS. BOY 3 Ya know, this is kinda fun. ANGELA Yeah, it is. She then sees a girl that can’t get the worm on the hook and decides to help ANGELA Here, let me do it. She then proceeds to spear the worm on the hook. ANGELA You get used to it after a while, it’s kinda fun. GIRL Cool. ANGELA Doin good Becky. BECKY Thanks, Maria. ANGELA How ya been holdin up? BECKY Good. I think I caught one. ANGELA Wow! That’s a big one. When we get back, I’ll show you how to skin and clean the fish ok? BECKY That sounds like fun. ANGELA Ok. CUT TO: CLEARING WITH LUNCH- AFTERNOON As they ‘re just getting lunch ready, THE CAMERA FOLLOWS the campers as they come back from the lake. Then Angela takes Becky and shows her how to clean her fish. ANGELA Now, you don’t want to tear it up and be careful not to touch the scales. They’re very sharp and we don’t want you getting hurt. BECKY Like this? ANGELA Good. Now I gotta go and help with the burgers and then I’ll come back and show you how to filet it. GIRL 1 How are ya doin? BECKY Fine GIRL 1 (In a sarcastic voice) Yeah. I bet. The girl plays with the fish head then throws it at Becky BECKY You brat! GIRL 1 Screw off. BECKY Maria, can you help me with the fish, please? ANGELA I’ll be right there. ANGELA When will the food be ready? I’m soooo hungry. ROBERT In a few more minutes. Don’t worry about it. We have everything under control. BECKY Maria. Where are you?! ANGELA Ok! I’m coming ANGELA Let me know when the food is ready cause I really want to eat that fish Becky caught. ROBERT Ok. Angela then goes back and cleans it and when she does, someone comes and steals the fish. For the next dialog, THE CAMERA CUTS between ANGELA, BECKY AND THE GIRL RUNNING TO THE LAKE with the fish. BECKY AND ANGELA Hey! Give that back! GIRL 1 Come get it bitch and bitchess! ANGELA You are in so much trouble young lady! As the girl runs down the pier with Angela in hot pursuit, she then throws the fish in the lake AS THE CAMERA FOLLOWS ANGELA then the girl pushes Angela in the water. There is a big stir of people as Angela flails wildly in the water. ROBERT Don’t worry. I’ll get you out. ERIC I gotcha. When they pull her out of the lake, THE CAMERA CUTS TO THE GIRL laughing her butt off. ERIC That’s it young lady! You’re in a shit load of trouble now! ROBERT Lets get you back to the camp Maria and get you dried off. We don’t want You catching anything. ANGELA Thanks. I mean it. ERIC What are we going to do about her? ANGELA Don’t worry. I’ll handle it. As they get back to the main camp, THE CAMERA FOLLOWS behind ANGELA AND ROBERT As they make their way to the cabin. They then enter Angela’s cabin and Robert hands her a towel. ROBERT Why don’t you stay here and lay down for a while. And change your clothes. Your soaking wet. ANGELA Ok. I’ll do just that. ROBERT And you! You will stay here for the remainder of the day. When Robert leaves, Angela thinks this is a good time to get some payback. The girl walks to her own cabin while THE CAMERA STAYS ON ANGELS while in a sorta fixed look. She then decides to do it later. Then lays down planing her revenge. FADE OUT FADE IN- CAMP FORREST GREEN- NIGHT TIME The bell rings which means that everyone is heading to supper Everyone that is exept Angela. She heads toward the tool shead but after a quick look, she decides to use her knife and goes out in search for that girl. THE CAMERA followes her as she walks up to the table with the girl. ANGELA Might I have a word with you a minute in my cabin? GIRL2 Busted! GIRL 1 Fuck off. ANGELA NOW! GIRL 1 Fine. Bitch. They both walk out of the dining hall and walk to the cabin with THE CAMERA mainly focusing on Angela until they reach the inside, the it FOCUSES ON BOTH. ANGELA Now. Why did you push me into the water?! GIRL 1 I was bored. ANGELA Ya know. You don’t deserve to be at camp. I should send you home. GIRL 1 Screw you Maria! If you wan’t to send me home fine. See if I care! Then she walks off to join her friends as THE CAMERA STAYS ON ANGELA finally deciding on what to do with her. ANGELA Could I see you in here again? As she then storms into the room, Angela then takes out an electric carving knife and stands there with it above her head. GIRL 1 What the fuck are you doing?! ANGELA This is what you get for pushing me in the water and treating me like shit! With that said, she takes the girl and holds her down as the electric knife whirrs to life. While the girl screams, it is cut short as the CAMERA HOLDS ON THE MIRROR as Angela brings the knife down on her and a couple spurts of blood fly in the air and then Angela pulls the knife away with it covered in blood. She then takes the girl and drags her body away with it face down with blood dragging along the floor. CUT TO- DINING HALL- NIGHT THE CAMERA ANGLES UP ON THE COUNSLER TABLE ANGELA COMES UP OUTA THE BLUE AND SITS DOWN ANGELA Hi, did I miss anything? ERIC Where the hell were you?! We have been waiting over 20 minutes For you to show up and now our food is stone cold.! ANGELA Well don’t snap on me like that! Jesus! ROBERT Eric, what did I tell you about doing this to her?! Now stop it! Maria, have you seen the electric carving knife? The chef’s been looking for it all day. ANGELA Um, I couldn’t possibly know where it is. But I will ley you know where it is. ERIC Could you excuse me for a minute? New angle on TABLE ERIC Have any of you seen Jessica or Jason? TWO BOYS AND 1 GIRL No ERIC Shit! BOY 3 Why, haven’t you seen them? ERIC They haven’t been seen since earlier today. BOY 3 Wow. Hey, weren’t they seen last with Maria? ERIC Yeah. Well, if you see either of them tell a counsler. And tell the two of them I am extremely pissed off. And I’m gonna have a little talk with Maria about where they might be. NEW CAMERA ANGLE- ON COUNSLER TABLE ERIC Maria, could I have a word with you on private? ANGELA Sure. CUT TO: INT. ERIC’S OFFICE- NIGHT TIME CAMERA SLOWLY ZOOMS ON MARIA AND ERIC AS THE ENTER AND SIT. ERIC Have a seat Maria. MARIA What’s this all about? ERIC Well, there have been some complaints about you. You see, Robert has told me that while walking both Jason and jessica to the archery range, they both took off. Now I would go along with it, but a camper told me that she saw you firing arrows at him while he was dangling from a rope. Now you know that is agenst the policy not to mention dangerous and illegal. Now, is she telling the truth or lying cause she never lies about anything, ANGELA (In an anxious voice) I didn’t do anything to him. I would never do anything to hurt anyone. You know that. ERIC Now, someone else told me that he found blood under Jessica bed. Now, do you have anything to say about that? ANGELA She fell outa the bed when I entered the room. ERIC And what was she doing on the bed? ANGELA Just laying there. ERIC Are you telling me the truth? Or are you lying. Cause I don’t like liars. ANGELA I swear, I’m telling you the truth. ERIC Ok. I’ll go back on my word just this one time. But if you fuck up again, your ass is outa here. Got that? Angela Crystal. ERIC Good. Now tomorrow night, you will be taking the rest of your bunk out on a camp in the woods. If I hear anything bad related to you that night, your outa here. ANGELA Got it. ERIC By the way, you wouldn’t have taken the electric carving knife? ANGELA No ERIC Ok. Now get outa here and finish eating while there’s still time left. NEW ANGLE- on maria as she walks out CAMERA FOCUSES ON ERIC as he slumps on his desk holding his head up. EXT. CAMP FORREST GREEN- MORNING CAMERA FOCUSES ON THE CABIN DOOR AS ANGELA WALKS UP TO IT ANGELA Hurry up girls we have a lot to do. Then one by one, GIRLS 2,3,4 AND BECKY COME OUT WITH THE SUPPLIES as the CAMERA falls back a little to get the cabin and the pile which is to the right of the cabin. Then they all come out. ANGELA Ok. Now that were all here, lets go over the check list: sleeping bags? GIRL 2 Check ANGELA Marshmallows, chocolate and graham’s? GIRL 2 Check, check, check ANGELA Cooler? GIRL 3 Check ANGELA Fishing poles? GIRL 3 Check ANGELA Grill? GIRL 2 Check ANGELA Matches? GIRL 4 Check ANGELA Ax and hatchet? GIRL 3 Check ANGELA That’s everything. Gather up the things and head towards the main road. THE CAMERA STAYS ON ANGELA as the kids gather up the supplies and head out to the campsite, one by one. EXT. WOODED AREA NEAR CAMP- AFTERNOON The CAMERA stays focused as the kids and Angela walk up to the clearing from the b.g. GIRL 3 We finally made it. GIRL 2 Where’s the bathroom? I need to take a piss. ANGELA It’s down there. Here, I’ll show you. You girls get the tents up While I show her to the restroom. AS ANGELA walks off, the girls begin unpacking. CUT TO: BATHROOM-AFTERNOON ANGELA Here it is. I’ll be outside if you need anything. GIRL 2 Don’t worry. I wont. THE CAMERA FOLLOWS HER into the BATHROOM and into the stall where she sits and begins to talk out loud. GIRL 2 I don’t know why I had to fuckin come here. . I would rather die than spend the rest of the summer here. Halfway thru that, the CAMERA focuses on ANGELA, listening In as the rest of the dialog continues. She then enters the bathroom quietly without being noticed. The CAMERA THE CUTS to the STALL as Angela barges in. ANGELA I think I can arrange that. GIRL 2 What the fuck are you doing in here?! Angela then takes out her pocket knife and slashes her throat. The CAMERA focuses on the inside OF THE BATHROOM as Angela backs up as the girl’s body falls out of the stall and falls to the floor. Angela looks at the body as it gushes blood outa the neck and writhes in agony on the floor AS THE CAMERA cuts b/w the corpse and Angela with a smirk on her face. Angela then sticks the body in the stall, closes and lock’s the door and walks out of the bathroom. CUT TO: CLEARING WITH CAMPERS-AFTERNOON The CAMERA follows Angela to the camp as she skips along the trail. NEW ANGLE on camp. She then reaches the campground as the girls are just finishing up getting the tents up and begin starting a fire in the center. Becky and girl 3 sit in front of the fire trying to start it. THE CAMERA FOCUSES ON THEM as Becky reaches into the cooler to get a soda as the girls begin to talk. Angela then shows up and helps out with the fire. New angle- on Angela’s face. BECKY Where’s Sara? Is she still there? ANGELA Yeah. She said something about having cramps and wanted to deal with it on he own. BECKY Ok. I’m getting hungry. Can we eat something? ANGELA Sure. What do ya want? BECKY Um, how bout some hotdogs. ANGELA As soon as the fire gets started, I’ll cook some. ANGELA Oh, lets sing a rousing camp song while the fire’s starting. Does anyone know, I’m a happy camper? GIRL 4 I do. ANGELA Good. Lets start and don’t forget the hand movements. ALL “Oh, I’m a happy camper, I love the summer sun, I love the trees and forests, Im always having fun. Oh I’m a happy camper, I love the clear blue sky. And with the grace of god, I’ll camp until I die. Then they all star clapping and cheering and laughing. ANGELA That was great. The fire seems good enough. Lets eat. CUT TO: CAMPGROUND- NIGHT All the kids are just about done with their food when THE CAMERA peaks over a BUSH and goes over it to get all the kids in view. GIRL 4 That really hit the spot. ANGELA Well, I’ve gotta go back to the main camp and get some stuff. I’ll be back in 20 minutes. CUT TO: CAMPGROUND- NIGHT After Angela has left, the CAMERA ANGLES on the CAMPFIRE GIRL 4 Gather around everyone. I’m gonna tell you all a true story GIRL 4 Have any of you heard of Angela Baker? BECKY I have. Isn’t she that serial killer at those camps? GIRL 4 She was. She killed about 30 kids at camp arawak about 8 years ago. She was then put in a mental hospital for 2 years. During that time she went thru therapy and an operation. After that, she was legally named Angela Johnston. Then she took a job at camp rolling hills and over 4 days she killed everyone in the camp and disappeared without a trace. After that she was a camper at camp new horizons where she killed 16 kids and was attacked and supposedly killed by one. And didn’t you hear on the news? GIRL 3 Hear what? GIRL 4 She escaped from the ambulance that was taking her to the hospital. And there posing a nation wide manhunt for her. She could even be here. GIRL 3 What’s so great about her? GIRL 4 Well, everyone called her the angel of death cause she only killed bad people. And you know that this used to be those last two camps. It’s true. This used to be both camp new horizons and camp rolling hills. It was only by the government that we could come here. I almost went to camp new horizons but we couldn’t afford it cause we were sorta in debt. I didn’t want to go but my mom insisted but in the end, I couldn’t. If I did, I probably been killed. BECKY God you’re lucky. GIRL 4 You’re fucking telling me! If I ever find that bitch, I’m gonna fucking kill her! CUT TO: TRAIL LEADING TO CAMPGROUND- NIGHT As Angela comes back, she heres her name and THE CAMERA FOLLOWS her behind them quietly. She listened as the girl tells the story of her and as she goes on, Angela becomes more and more mad. When she hears that that girl wants to kill her, she then decides to kill her but wait till morning. CUT TO: CAMPGROUND- NIGHT the camera STAYS on the KIDS as Angela walks back into the camp trying not to get mad. ANGELA Ok, time for bed, everyone. BECKY But it’s only 9:30. ANGELA I know that. But I want you all to get a good night’s sleep. We’ve got a big day tomorrow. GIRL 3 Shouldn’t sara be back by now? I’m gonna go check up on her. ANGELA No. I’m sure she’ll be back by morning. She’s probably on a beer run or something. GIRL 3 If you say so. FADE TO BLACK as everyone goes to bed. FADE IN INT. CAMPGROUND- MORNING Everyone gets out of the tents but Angela is already up cooking breakfast while the CAMERA stays at A RELATIVELY high angle. Angela is cooking eggs while Becky comes up to see what she ‘s cooking. BECKY Mmmmm! That smells good. Girl 4 look at her watch and sees it’s 8:00a.m. GIRL 4 God, it’s been 10 hours and Sara’s still not back yet. I’m gonna find her. When she does, THE CAMERA STAYS on Angela for a bit with a little frightened expression on her face the it angles ON GIRL 4 as she runs to the restroom. CUT TO: RESTROOM-MORNING When the girl makes it, she enters with the CAMERA slowly staying behind her. When she enters, a rush of a smell of decaying flesh hits her nose and try’s to find where it’s coming from. GIRL 4 Where’s that smell coming from?! She goes to the stall and upon opening it, the body falls out and lands on the floor in front of her. THE CAMERA angles on the BODY then on the GIRL’S disgusted EXPRESSION. Then Angela enters the room with the hatchet in hand as the CAMERA and the girl whirr around at her. Angela then lunges at her and grabs her by the throat. ANGELA They’ll be investigating forever after they find what’s left of you. The girl then realizes it’s Angela GIRL 4 Oh my god. Then angela takes the hatchet and begins hacking away at the girl with blood flying everywhere. The CAMERA stays at an angle so that we see Angela and the blood but not the victim. With the work done, THE CAMERA STAYS on the MIRROR as Angela comes up to it and THE CAMERA ANGLES down on the SINK as she washes off the hatchet and her hands. Then she drags both bodies individually out of the bathroom. EXT. CAMP FORREST GREEN- MORNING For the past few days, Eric has been keeping his eye on a lovely young counsler named Ashely. She has been hitting on him and he has been doing the same thing. Then THE CAMERA follows ERIC as she comes up to him. ASHELY Guess who has the day off? ERIC That’s nice ASHELY Care to join me? She then runs off into the woods with the CAMERA staying where it was. Then Robert comes up to Eric. ROBERT I’m gonna check up on Maria and her group to see if everything’s going alright. ERIC Yeah. Hey Robert, I’ll be back in 10 minutes. ROBERT Where the hell are you going? Someone needs to keep an eye on the camp. ERIC Don’t worry. I’ll be back in a flash. Then the camera FOLLOWS BEHIND HIM as he runs after Ashely. The Robert leaves to check on Maria. CUT TO: INT. WOODS NEAR CAMPSITE- MORNING Angela proceeds to head back to the campsite when he hears laughing in the woods. As she stealthfully investigates, she finds Eric and Ashely fornicating. CUT TO: ANGELA’S P.O.V She walks slowly toward them and when she reaches, she stands there with disgust looking at them. The CAMERA then focuses on THE FORNICATORS then back at Angela. ANGELA Get outa here! Ashely realizing she’s been caught, runs away leaving Eric to fend for himself. ERIC Maria, It’s not what it looks like... During the next few dialog lines, Angela walks around Eric with anger. ANGELA I’ve put up with all your crap this past few days but this is what broke the straw on the camels back. What do you have to say for yourself? HUH?! ERIC I’m sorry, I didn’t mean to do this but she tempted me and I gave in and... ANGELA Stop right there. She has nothing to do with this. I hate to do this but... The CAMERS zooms at the ground at a can of gasoline and Angela bends down and picks it up. ERIC What are you gonna do? With Eric still laying on the ground, she pours gas on his crotch and on the end of her walking stick. Then takes out a match and lights it. NEW ANGLE on Angela She then lights the end of the branch ANGELA Ready for a weenie roast? ERIC No! Please don’t! I’m sorry! ANGELA Sorry, but it has to be done. THE CAMERA focuses on Eric as the stick comes baraling into his crotch, setting it on fire as he screams bloody murder. Angela pulls out the stick with blood on it and dips the burning end into a puddle, putting it out. She puts on her hat as she watches him being burned alive and his screams become weaker until they’re gone compleatly. CUT TO : CAMPGROUND- MIDDAY Becky and the other girl are waiting for Angela as Becky is roasting marshmallows for her and girl 3. They then hear the screams of Eric. BECKY What the fuck was that!? GIRL 3 I don’t know and I don’t want to know BECKY That sounded like Eric. Maria has been gone along time. Maybe we should go look for her. GIRL 3 But she told us to wait. Then THE CAMERA backs out to get the whole CAMPGROUND in as Robert comes running up to them. ROBERT Have any of you seen Eric? BOTH No. (Becky) why, haven’t you seen him? ROBERT No. he said he’d be back in a little while but it’s been 20 minutes. BECKY Have you seen Maria? ROBERT Shit. Don’t tell me she’s missing too? GIRL 3 What was that scream? It sounded like Eric ROBERT Maybe. But I hope it isn’t. Lets go find them both. Let me tell ya, Maria is sure gonna get her ass kicked!. CUT TO: WOODS-AFTERNOON Angela is walking back to the camp but she is interrupted by the calls of Robert, Becky and Girl 3. She stops and waits for them to come up past her while she takes out her knife. The CAMERA SHOOTS ON ANGELA as she carefully makes her way to them. CUT TO: WOODS- AFTERNOON The kids and Robert are walking along trying to find them as THE CAMERA angles on them while they scream their names hoping they find them. GIRL 3 Maria, Robert. Are you there? BECKY Maria! ROBERT AND BECKY Eric! Maria! As they walk along, Girl 3 gasps and looks down when the CAMERA stays at their faces for a bit. GIRL 3 Oh god! ROBERT What is it? Then Robert and Becky look down as the CAMERA ANGLES DOWN on ERIC’S mangled corpse. It is burned on lower half of his body and there is blood on his face on head. GIRL 3 What the hell is going on here! ROBERT I don’t know but I have a feeling that Maria has something to do with this. When he says that, Angela jumps out from behind them and starts beating Girl 3 with the stick. Then Becky jumps at her and she gets hit with it and hits the ground. She then pulls out her knife and begins to stab her but Robert lunges at her and grabs the knife and knocks her down. They wrestle a bit and then Becky comes up to her and climbs on her back to make her stop but is stabbed in the chest by Angela and she falls to the ground trying to catch her breath. Angela then beats Robert unconscious with her stick. NEW ANGLE ON BODIES Angela then gathers herself up and makes her way back to camp to kill the rest of the campers. INT. CAMP FORREST GREEN- NIGHT Angela drags Eric’s body into the main office and sets him up, she hears a sound and realizes it’s Becky. ANGLE ON BECKY As she slowly walks back into camp holding her chest and thankful that she’s alive. She makes her way to the nurses station to treat her injuries. Angela then grabs the hatchet in her pocket and runs off to the nurses station to kill Becky. As Becky arrives, she sits down on the table and lifts up her shirt and bandages herself up. CUT TO: BECKY’S P.O.V At that moment, THE CAMERA focuses on the door where Angela comes in holding the hatchet. BECKY Stay away from me please! Just leave me alone! ANGELA I don’t want to hurt you. Becky then spots a small pair of sewing scissors and grabs it and holds it up to Angela trying to keep her away. Angela then lunges at Becky and they both fall to the ground. Becky holds Angela’s arm trying to keep the hatchet away from her. Becky then stabs Angela in the side with the scissors and she drops the hatchet and Becky gets up. ANGLE ON ANGELA As Becky try’s to run out, Angela grabs her by the ankle and pulls her down as she bangs her head on the table with a loud thud. CAMERA ANGLES BACK to get shot of both as Angela picks up the hatchet and chops away at her neck and within 3 chops, her head comes off with blood everywhere. Angela checks herself out and pulls out the scissors and bandages herself up as best she can. EXT. ROAD LEADING TO CAMP-NIGHT A car closes in from the b.g and gets closer and the engine is losing it and the car slows down up to the camera. Inside is Tony and Marsha. Marsha looks over to the right and sees that the car has stopped at the camp. TONY Shit! Damnt! MARSHA I don’t like this TONY Don’t worry. They might have a phone. Now come with me and will call a tow truck. As they get out of the car and up the road, Marsha hears a sound of footsteps behind her. MARSHA What was that? TONY Nothing. Now lets go. When they get farther up the road, loud poping sounds are heard from the direction of the vehicle. MARSHA Now don’t tell me that was nothing. That was somthing. TONY Ok. I’ll go see what it is and you stay here and don’t move. When he leaves, THE CAMERA FOCUSES ON MARSHA as Angela comes up behind her and grabs her and drags her back to the camp. CUT TO: ROAD UP TO CAMP- NIGHT When Tony reaches the car, we see that the tires have been slashed and he starts to get worried. He runs back up the road to where THE CAMERA WAS on Marsha. TONY Marsha, someone slashed our tires! He looks and realizes that she is gone TONY Marsha? Marsha, where are you? CUT TO: INT. MAIN OFFICE-NIGHT We see that Marsha is tied to a chair and Angela is setting up something in front of the door. Then Angela turns to Marsha ANGELA Well, long time no see! MARSHA Angela! ANGELA That’s my name, don’t wear it out. MARSHA What is going on? Why are you doing this to me? ANGELA I’m sorry but I couldn’t let you go this time. I just had to slash your tires. And I can’t let you go without you seeing the big finally. Then Angela hears Tony coming up to the camp. TONY (Farther but gets louder) Marsha. Marsha are you here? Someone slashed our tires. ANGELA (Quietly) I think we have company. Tony then heads to the main office put upon opining the door, a sledgehammer swings down from the celing and hits him dead in the face. Angela then runs off past him and geta a chainsaw. CUT TO: WOODS- NIGHT The CAMERA slows down on ROBERT as he slowly regains consciousness and looks around. He is surrounded by the bodies and slowly gets up and walks off. CUT TO: ROBERT’S P.O.V-NIGHT When he reaches the camp, he hears the roar of the chainsaw and sees Angela trying to attack Tony. He then springs into action and lunges for Angela. He jumps at her and knocks the chainsaw out of her hand. Then he pulls her to the ground. But she pushes him off her and stands up just as Tony picks up the chainsaw and slashes her leg. Then she pulls him down and the chainsaw goes flying as the CAMERA follows the chainsaw in the air then a shot of ANGELA and TONY. Then Angela pushes Tony onto the chainsaw and it saws into his back. In the b.g, we hear Marsha screaming. Then Robert runs down the main road to the highway. When he reaches the car that Tony and Marsha came in, he tries to find something that can help him and he finds a car phone. NEW ANGLE ON INSIDE OF CAR Then Robert picks up the phone and calls Steven cause he knows he is the only one that can help him now. ROBERT Come on, pick up! CUT TO: CAR WITH STEVEN INSIDE- NIGHT Steven is driving down the freeway when his phone rings. STEVEN Hello? CUT TO: ROBERT ON PHONE ROBERT Steven, you gota help me! STEVEN Ok, calm down and tell me what is wrong. ROBERT Angela is after me and she killed lots of people. I don’t know how many and I’m not joking I swear! STEVEN Ok I know just the person to call. ROBERT Well, hurry! Then he is cut short by Angela as she yanks out the phone and stabs him in the back. He then throws her in the car, locks the door and baracades it so that she can’t get out. With that, he runs back to the camp holding his shoulder and in the b.g, Angela is frantcly trying to get out. CUT TO: MAIN OFFICE-NIGHT When he reaches the office, he unties Marsha. MARSHA Oh my god, she killed Tony! ROBERT Don’t worry about it. Now stay here for a while. I’ll be back in a few minutes with some goodies. MARSHA Robert, your shoulder. ROBERT I’ll be ok. Now sit tight and don’t go anywhere. Then Robert runs to his jeep and drives off to the firing range. CUT TO: TONY’S CAR- NIGHT. Angela is frantically trying to get out when she stops and looks for a weapon to aid her. Then she spots a wrench and uses that to break the window. Then she pulls out the pipe and runs out to the camp. CUT TO: ROBERT’S JEEP- NIGHT He finally reaches the firing range and without hesitation runs up, grabs 2 rifles, heads back to the car and drives away knowing that Angela could break out any minute. CUT TO: MAIN OFFICE- NIGHT Then WITH THE CAMERA looking out the door, we see that Robert has returned with the rifles. ROBERT ( handing one to Marsha ) Here, take this and use it only under extreme circumstances. MARSHA Ok. Are they loaded? ROBERT Yeah. Just pull back and forward on the bolt then fire. Then Angela comes outa nowhere and knocks Robert on the back with the wrench then grabs the rifle from Marsha. Then Robert gets up and points the rifle at Angela ROBERT Put the gun down Angela! ANGELA So, you finally found out who I was, eh? ROBERT Nope. I knew who you were ever since you set foot in this camp. The reason I didn’t kill you right then and there was I wanted to see when Eric found out something was going on. He maybe slow in the head but when he says something is wrong, I gotta believe him. Now I’m going to dispose of you once and for all. ANGELA You wont kill me. ROBERT And what makes you say that? ANGELA Cause you’re not a killer. But I am! She then rushes up, grabs the rifle and aims it at his chest as he backs up against a wall. Then Marsha grabs the wrench and hits Angela with it immediately knocking her unconscious. CUT TO: ROBERT’S P.O.V He looks down at Angela then at Marsha and he can’t believe that happened. ROBERT Holy shit! Thanks. MARSHA No problem. AS THE CAMERA stays at an angle that gets everyone, we see Robert and Marsha going into the main office to get bandaged up when Angela slowly gets up and walks back to Tony’s car. CUT TO: TONY’S CAR- NIGHT As Angela reaches the car, in the b.g we see a police car coming into view and Angela waves it down. Then it pulls over and stops as the door opens and a trooper comes out. TROOPER Are you alright? Then Angela stabs him in the chest and while the other trooper is getting out his gun, she takes the hatchet and jams it into his face and leaves it there. She then stuffs both into the car and steals the one troopers gun and bulletproof vest in the back seat. CUT TO: MAIN OFFICE- NIGHT As they are tending to their wounds, Robert looks out the window to find that Angela is missing. ROBERT Oh shit. This is bad. This is really bad.. MARSHA What is so bad? ROBERT Angela’s missing. MARSHA That can’t be good. ROBERT Stay here and keep an eye on the door. She can’t be far. As Robert leaves, Marsha sit’s there clenching the rifle tight against her chest. CUT TO: ROBERT’S P.O.V As he’s walking down the main road, Angela pops outa nowhere and pushes him down as he tries to fire at her. He then gets up and runs bach to the main camp with Angela in hot pursuit. When he reaches, Angela runs into the tool shed and gets out the nail gun, turns and fires two nails into Roberts shoulder, forcing him to drop the gun. CUT TO: HIGHWAY IN FRONT OF CAMP-NIGHT In the b.g we see two police cars come up fast and an ambulance with them. They then stop infront of the police car with the two dead officers in it. Steven looks out his window at it with amazement. STEVEN I guess this is the place. Lets go. And keep your headlights off. They then turn into the main road into camp with the headlights off. CUT TO: CAMP FORREST GREEN-NIGHT As Angela sets up to shoot some nails into his head, she is blinded by headlights as 2 police cars show up. The cops get out of the cars and aim their guns at Angela ROBERT Shit. It’s about time. POLICE OFFICER Put the nail gun down Angela! ROBERT JUST SHOOT HER DAMN’T!!! Then she fires some nails into the trooper than as he falls to the ground, the police open fire on her. She then falls to the ground and runs off. After she falls and runs off, an ambulance comes roaring up. The back doors to the first ambulance open and Steven and A.J come running out. STEVEN Wow. You look like shit. ROBERT Yeah, thanks. Just get these nails outa my shoulder and there’s a woman in that building and she’s injured. A.J Get him into an ambulance and check on this woman. ROBERT Angela’s missing. Go find her and check out all the cabins on your way. STEVEN Ok. You two. Go check out that cabin and me and A.J will go look at all the others. CUT TO: WOODS-NIGHT Two officers run up the trail to the campground. They then spot Eric, Girl 3. They both bend over as the CAMERA gets a shot of the bodies and of the police officers. Then one spots the bathroom. OFFICER 1 Wow. I’ll call for an ambulance and you go check out that bathroom. The other officer leaves while the first officer calls on his radio for an ambulance then before he can finish, Angela comes up behind him and starts beating him with the wrench. The officer tries to pull out his gun and when he does, it is quickly knocks out and he is beaten in the head until he’s dead. Then she goes after the other cop. CUT TO: BATHROOM-NIGHT As the other officer enters it, he is overcome by a powerful stench and bends over in disgust at the sight of the blood and body parts strewn about the bathroom. He tries to puke in the toilet but the girl with the slit throat falls on him. SHOT OF BATHROOM DOOR OPENING Then Angela wanders in with the gun of the other officer and sees him on the ground with a sick look on his face. ANGELA Feeling a little under the weather, eh? OFFICER 2 Oh shit! Angela then discharges 3 rounds in his head. Then she leaves the room, off to kill all the others. CUT TO: CAMP FORREST GREEN- NIGHT We see Steven and A.J go into the infirmiry and are immediately overcome by the sight at which they see. THE CAMERA swings back and forth between Becky’s severed head and her body and the two men. STEVEN My god. What kind of human does this? A.J I’ll order up some body bags. STEVEN You do that. I’m going to see if there are any other victims. As they both are about to leave the room, they hear shots ring out in the forrest and both turn around to hear where the sound is coming from. A.J. What was that? STEVEN Sounded like a gun shot. A.J Well, no shit sherlock! STEVEN Look, this is no time for games! Go get that ambulance. Remember, Angela is still on the loose so keep your guard up at all times. Steven then goes to the main office with the CAMERA following him there. When he gets there, he sees 3 bodies: Jessica’s, Jason’s and Boy 1's around the room. Boy 2's is nailed to the back of the door, Jessica’s is sitting in the chair to the left and Jason’s is standing near the window with his head up against a dart board so that the arrow is going into the board. STEVEN There’s some more in here. Hurry and get me a streacher. Then he hears the screams of an officer outside as the CAMERA stays behind Steven and it turns to the direction of the doorway and we see an officer pointing to the woods ahead of him. OFFICER 3 There! I see her! Steven runs out to find Angela walking in their direction with a plastic gas canister in one hand and a road flare and duct tape in another. A she gets closer, she cuts off some duct tape, tapes the road flare to the canister and opens the flare and throws it in the direction of the cops. OFFICER 4 Get down! Scatter! Then it lands in front of them all and explodes as everyone runs off but only 1 of them didn’t make it as he lay there burning to death in the maylay of the explosion. Angela then comes out firing at them. She fires in all direction of her in front as the CAMERA KEEPS ON HER FACE AND SWITCHES FROM HER P.O.V TO HER FACE. STEVEN She’s got a gun! Get down! Get down! As she fires, It hits one officer in the chest and he dies but when she runs out she stands still as everywhere she looks is empty. CUT TO: ANGELA’S P.O.V She looks and sees nobody but keeping her eye out, she pulls out her pocket knife. Then Steven and A.J pop outa nowhere with the other 2 cops and open fire on her. She is hit repeatedly and falls to the ground with a thud. CUT TO: OFFICER’S- NIGHT After that is done, THE CAMERA FOLLOWS Steven to Robert and Marsha. STEVEN Feelin ok? ROBERT As long as you got her, I’ll be fine. How’s Marsha? STEVEN She’ll live. Now you get in an ambulance. As Steven walks Robert to an ambulance, we see some movement coming from Angela. STEVEN You. Go check on Angela and make sure she’s dead. OFFICER 4 Ok. A police officer comes up to Angela thinking she’s dead but as he bends over, she stabs him in the stomach and in the face killing him instantly. ROBERT No! It can’t be! Get her! Then both A.J and Steven jump Angela with A.J getting stabbed in the stomach but Steven tackles her and handcuffs her. When he tries to put her in the van, she escapes and Robert is forced to run out of the ambulance, pick up the rifle and shoot her in the chest. She falls to the ground and lays there motionless. THE CAMERA geta a close up of her face as Robert comes up and kicks her lightly in the arm and is certain she’s dead for good. FADE TO BLACK CUT TO: CAMP FORREST GREEN- MORNING As the CAMERA DOES An angle shot of the camp, we see paramedics taking the dead bodies from the cabins and putting them into the ambulances. CUT TO: AMBULANCE- MORNING Robert and Marsha are being tended to while Steven comes up to them. STEVEN Looks like you two have been through a lot. Listen , when you two get Out of the hospital, I want you both to come down to the station and give a full report on this. ROBERT Can do. Then both Robert and Marsha are put into ambulances and as the doors close, the CAMERA DOES A HIGH SHOT of all the ambulances and police cars leaving the scene. We see one is still there evaluating Angela. PARAMEDIC She’s still alive POLICE OFFICER Well, chain her up and put her in the van. Then one of the officers handcuffs her arms and legs and puts her into the police van. CUT TO: INSIDE OF POLICE VAN- MORNING We see Angela with a fixed look on her face as another officer is seated in front of her reading. ANGELA What’s that noise? OFFICER I don’t hear anything. ANGELA There’s a weird noise right over here and it’s giving me a headache. As the officer gets up to check the noise, Angela gets up and repeatedly knees the guard in the chest and when he falls to the ground, she stomps his head in. Blood is everywhere. CUT TO: INSIDE VAN- MORNING Angela then sits down and quietly begins whistling the happy campers song while smiling. The people in front hear the comotion and the van stops abruptly and Angela is wondering what is going on. The CAMERA SWIRVS TO THE DOORS as the two officer’s look and see the one officer dead on the ground and Angela then makes a run for it. She knockes both of them down and as she runs one is forced to shoot her. He shoots her in the leg and she falls to the ground. Then he comes up to her and with hate in his eyes, shoots her in the chest 5 times. But they don’t know that she’s still wearing the vest and stick her back in the truck and drive away. MAN Now we can sleep better at night knowing she’s dead. CUT TO: INSIDE OF VAN- MORNING The CAMERA zooms into her face and stops a little before her face is more than all the way in the shot then she opens her eyes and smiles and then closes her eyes and goes back to whistling the happy campers song. FADE OUT CUT TO: CREDITS AND MUSIC. www.sleepawaycampfilms.com